Faculty of Arts and Sciences

Keats Isn't Dead: How We Live Romanticism

Semester: 

Fall

Offered: 

2021

Our thoughts and feelings about identity, self-expression, and the power of the imagination draw on the British Romantic poetry of the Long Eighteenth Century—whether we've read any or not. Focusing on John Keats (his key poems, and his key ideas, about "negative capability", the "camelion poet", and so on), this course makes unconventional connections into the twentieth, and twenty-first century. Tracking issues of race, class, gender and sexuality, we'll bounce from Keats into war verse; African-American poetries; world/postcolonial writing; the literature of social class; feminist experimentalism; and constructions of masculinity. Concentrators will learn how to analyze poetry in both closed and open forms.... Read more about Keats Isn't Dead: How We Live Romanticism

German History from Bismarck to Hitler

Semester: 

Fall

Offered: 

2021
German History loomed like a specter over the twentieth century. In the twenty-first century, Americans have been debating the relevance and legitimacy of comparisons between German history and our contemporary world. How useful is German history for understanding our current moment? How might our present day concerns distort what we see in the past? This course will examine the history of Germans in Europe and elsewhere, starting with the revolutions of 1848 and ending with the separation of Austria, West Germany, and East Germany following the Second World War. Themes will be war, insurrection, and terrorism, revolution and counter-revolution, gender and sexuality, reform, violence, anti-semitism, racial thinking and racism, and migration.... Read more about German History from Bismarck to Hitler

Feminist Science Studies

Semester: 

Fall

Offered: 

2021

This seminar is an introduction to the interdisciplinary field of feminist science studies. As the feminist movements of the 1970s began to change the American political landscape, academic feminists began inquiries into the marginalization of women in science – a debate philosopher Harding called “the woman question in science.” Feminist scientists began to examine sex, gender and race bias in their own disciplines. In consequence, they raised questions about androcentric – male-centered – epistemologies underlying Western science (alongside a growing critique of Eurocentrism).... Read more about Feminist Science Studies

American Noir

Semester: 

Fall

Offered: 

2021
This class will examine noir not only as an aesthetic—brutality disguised in beauty—but also as a social commentary on American life in the 1940s and 50s. How did cultural conceptions of the tough guy and femme fatale reflect or shape the gender and sexual politics of the era? How did noir speak to anxieties surrounding race, ethnicity, and social class? And how did America’s anti-heroes reflect a changing conception of nationhood and citizenship in the atomic age? By looking at cultural works like films, novels, and true crime pieces in the context of postwar psychology and sociology, we will consider what audiences’ fascination with violence, murder, and deceit revealed about the American identity.... Read more about American Noir

The Essay: History and Practice

Semester: 

Fall

Offered: 

2021
Matthew Arnold famously said that poetry is, at bottom, “a criticism of life.” But if any literary form is truly a criticism of life, it is the essay. And yet despite the fact that all students write essays, most students rarely study them; bookshops and libraries categorize such work only negatively, by what it is not: “non-fiction.” At the same time, the essay is at present one of the most productive and fertile of literary forms. It is practiced as memoir, reportage, diary, criticism, and sometimes all four at once. Novels are becoming more essayistic, while essays are borrowing conventions and prestige from fiction. This class will disinter the essay from its comparative academic neglect, and examine the vibrant contemporary borderland between the reported and the invented. We will study the history of the essay, from Montaigne to the present day. Rather than study that history purely chronologically, each class will group several essays from different decades and centuries around common themes: death, detail, sentiment, race, gender, photography, the city, witness, and so on.... Read more about The Essay: History and Practice

Questions of Theory

Semester: 

Fall

Offered: 

2021

To explore key literary, cultural and critical theories, we pose questions through readings of classic and contemporary theorists, from Aristotle to Kant, Schiller, Arendt, Barthes, Foucault, Glissant, Ortiz, Kittler, and Butler, among others. Their approaches include aesthetics, (post)structuralism, (post)colonialism, media theory, gender theory, ecocriticism. Each seminar addresses a core reading and a cluster of variations. Weekly writing assignments will formulate a question that addresses the core texts to prepare for in-class discussions and interpretive activities.... Read more about Questions of Theory

The Greatest Chinese Novel

Semester: 

Fall

Offered: 

2021

The Story of the Stone (also known as The Dream of the Red Chamber) by Cao Xueqin (1715?-1763) is widely recognized as the masterpiece of Chinese fiction. It is also a portal to Chinese civilization. Encyclopedic in scope, this book both sums up Chinese culture and asks of it difficult questions. Its cult status also accounts for modern popular screen and television adaptations. Through a close examination of this text in conjunction with supplementary readings and visual materials, the seminar will explore a series of topics on Chinese culture, including foundational myths, philosophical and religious systems, the status of fiction, conceptions of art and the artist, ideas about love, desire and sexuality, gender roles, garden aesthetics, family and clan structure, and definitions of socio-political order.

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The Rise of the Far Right in Europe

Semester: 

Fall

Offered: 

2021

In this seminar, we will ask: first, how has the present wave of far-right parties in western and central Europe tapped into notions of national decline, instability, and changing demographics? Second, what can we learn about these movements by studying histories of European fascism in France, Germany, Spain, and Italy? And finally, how have these histories been obscured and rehabilitated in different ways in each of these countries? By moving from contemporary cases of resurgent nationalist sentiment to their interwar predecessors and back again, and through a consideration of novels, films, historical documents, speeches, and monuments, among other sources, the course will seek to uncover how anxieties of migration, race, and empire—as well as changing roles of religion, gender, and nationhood—shaped political animosities and allegiances within the European Far Right both a century ago and today.

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Gender and Representation

Semester: 

Fall

Offered: 

2021
Margaret Atwood is often asked if the The Handmaid’s Tale is a “feminist” novel. Her response: “If you mean an ideological tract in which all women are angels and/or so victimized they are incapable of moral choice, no. If you mean a novel in which women are human beings — with all the variety of character and behavior that implies — and are also interesting and important, and what happens to them is crucial to the theme, structure and plot of the book, then yes. In that sense, many books are ‘feminist.’” This course focuses on such feminist books. It explores issues of perspective: what happens when an author writes from the perspective of a woman? Since taking this perspective does not depend on biology, we will explore authors from a variety of backgrounds, especially those whose class, race, and/or ethnicity add another dimension. We’ll focus on contemporary Anglophone novels and drama.... Read more about Gender and Representation

Migration

Semester: 

Fall

Offered: 

2021

Migration, both voluntary and involuntary, helps to shape the culture, society, economics, and politics of the modern world. It benefits both movers and receiving countries, but also entails considerable costs.  The course begins with consideration of the broad sweep of population movements, and addresses various impacts on both migrants and receiving countries.  It focuses primarily, however, on the politics of and political science research about contemporary population movements in the United States and other western nations. Topics include patterns of incorporation and exclusion, consequences of different legal statuses, and the differential impact of migrants’ nationality, gender, and class status.... Read more about Migration

The Archaeology of Women and Gender in the Ancient World

Semester: 

Fall

Offered: 

2021

Women represent half of humanity, but they have been greatly underrepresented in studies of past cultures and societies. This course provides an introduction to aspects of women’s lives in the cultures of ancient Mediterranean Greece and Rome. We will examine not only what women actually did and did not do in these societies, but also how they were perceived by their male contemporaries and what value to society they were believed to have. The course will focus on how women are reflected in the material and visual cultures, but it will incorporate historical and literary evidence as well. Through such a comparative and interdisciplinary approach, we will examine the complexities and ambiguities of women’s lives in the ancient Mediterranean and begin to understand the roots of modern conceptions and perceptions of women in the Western world today.

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Sound and Color: Music, Race, and US Cultural Politics

Semester: 

Fall

Offered: 

2021
Although race is often presumed to be a visual phenomenon, it is also created and produced through sound. But what does race sound like? What might we learn when we attune our ears to the music and noise that race makes in popular music, on the stage, and in literature? How can texts like songs, films, and novels both reinforce and challenge cultural hierarchies and arrangements of social power? This course explores the sonification of race and the racialization of sound, music, and noise in the United States from the late nineteenth century to the present.... Read more about Sound and Color: Music, Race, and US Cultural Politics

Five Shakespeare Plays

Semester: 

Fall

Offered: 

2021
We'll be reading HamletKing LearThe Merchant of Venice, Henry V, and The Tempest.  Special attention to dramatically motivating issues involving familial kinship, racial and linguistic difference, and national and religious conflict.   Philosophical and historical issues include Shakespeare's unique use of language, the ambiguous authorship of the plays, gender issues informing stage production, the sense of place in Shakespeare's Globe Theatre, and the influence of the Shakespearean canon  in the various arts and media.... Read more about Five Shakespeare Plays

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