We are bombarded by sound bites from all over the globe, moving at disorienting speeds, reorganizing our relationship to time and space with increasingly dystopic results. This course will focus on selected televisual and digital events in "real time" from September-December 2019. We will analyze the embedded bits of gender and sexuality always at work in the representations of those events. Topics include: politics, the environment, military adventures, and popular revolt in dialogue with important texts in WGS Studies.
The "/" in this course title can suggest slippage or interchangeability, opposition and polarization, or (in fanfiction tagging conventions) erotic or romantic friction between two entities. This course functions as an introduction to queer theory as an intellectual tool with which to read texts far removed from the modern political, cultural, and social discourses from which queer theory emerged.... Read more about Queer/Medieval
While music is often touted as a 'universal language' that generates social harmony, it also expresses dissent from and resistance to the status quo. This course asks how music works as a type of social and political resistance, and what aesthetic and formal qualities enable it to do so.... Read more about Music and Resistance in the Modern United States
In spite of significant gains in gender equality over the last half century, women creators remain dramatically underrepresented in the music world, in all genres of music and in all categories of musical production: as composers, improvisors, producers, conductors, and even as performers. The course is intended to celebrate and acknowledge the contributions of women creators to the history of music.... Read more about The Music of Women Creators
This course introduces students to the poetry, literary prose, and artful correspondence of one of the major poets of the twentieth century, considering her innovations in all these genres. We will look at her writing in multiple genres alongside the mid-century shift from ‘closed’ to ‘open’ verse forms, and relate stylistic issues to the intellectual and social changes, and political and historical developments of the period.... Read more about Elizabeth Bishop and Others
Are quilts the great American (folk) art? From intricately stitched whole-cloth quilts, to the improvisational patchworks of Gee's Bend; from the graphic simplicity of Amish quilts to the cozy pastels of depression-era quilts; from the Aids Quilt to art quilts; quilts have taken on extraordinary significance in American culture.... Read more about Quilts and Quiltmaking
This interdisciplinary seminar addresses multiple histories of politics and aesthetics within the context of sound and music technologies as mediators of intersectional identity. Creative practice will serve as a method of critical inquiry into race, class, dis/ability, gender identity, and sexual orientation in concert, recordings, and other outputs.... Read more about Sounding Identity
A survey of modern and contemporary queer writing from twentieth- and twenty-first-century French literature. We will read writers such as Jean Genet, Hervé Guibert, Édouard Louis, Mireille Best, Violette Leduc, Monique Wittig, Anne Garréta.... Read more about Queer Fictions
This seminar looks at the expanding range of genres, forms and strategies pursued by modern and contemporary authors who want to represent LGBTQ+- lives, communities, bodies and selves; poems and performances, novels and stories, YA (young adult) fiction and science fiction, memoirs and graphic novels, will all be represented, along with a light frame of what's usually called queer theory and some points of comparison, or contrast, from earlier centuries. Bechdel, Audre Lorde, O'Hara, Whitman, Walden, and many others.... Read more about Introduction to LGBTQ Literature
This course examines works across a range of genres by Asian-American writers, focusing on the intersection of race, gender formation, and sexuality. We will put conceptions of feminism, queerness, and LGBT identity in conversation with ideas about ethnicity, citizenship, power, activism, art, and politics.... Read more about Gender and Sexuality in Asian-American Writing and Film
This is a workshop class where students will learn the art of literary longform journalism and compose stories that take on questions of gender, feminism, sexuality and power, while simultaneously exploring how the media represents gender and learning the history of women in journalism. No profession has been as important to feminists in challenging society than journalism--even as journalism has been historically resistant to a...
A survey of modern and contemporary twentieth- and twenty-first-century queer French literature. We will begin first with an introduction to some canonical texts in queer theory (e.g. Sedgwick, Butler, Bersani, Warner) and proceed to the fictions (Genet, Guibert, Louis, Leduc, Wittig, Best, Garréta) to see the ways in which literature itself theorizes and does the work of deconstructing identity and desire.
This course seeks to map a history and to expand the boundaries of what is commonly thought of as queer cinema. We will explore LGBTQ films within a variety of frameworks, including but not limited to queer history, theory, and politics, and across a range of modes and genres, from classical Hollywood to the experimental underground.... Read more about Queer (and Queering) Cinema
Close readings of postwar French fiction and theory with emphasis on what is called "the feminine'' in key psychoanalytic, philosophical, and literary writings of the French poststructuralist tradition. In particular, we will focus on fifty years of dialogue between postwar theory in France and feminist practice in the United States. Writers considered include Cixous, Duras, Irigaray, Kristeva, and Wittig as well as Deleuze, Derrida, and Lacan....
“Reader, I married him.” As this famous line from Charlotte Brontë’s Jane Eyre reminds us, writers have long been preoccupied with matters of the heart. Courtship plots are everywhere, from the novels of Jane Austen to the “rom-coms” of the 1980s and 1990s to essays you can find every Sunday in the “Styles” section of the New York Times. For centuries, marriage was primarily an economic relationship, and love outside of marriage ended in humiliation or even death. But what happens when society expands the options for living and loving?... Read more about Expository Writing 20: Modern Love
The femme fatale—the attractive, seductive woman who brings about the downfall of men—has fascinated us through the ages, from Biblical figures like Eve and Delilah, to historical women such as Cleopatra and Wallis Simpson, to the media personas of modern pop stars like Cardi B and Miley Cyrus. In the classic femme fatale narrative, the woman’s dangerous actions empower her, but she also must submit to the fact that her empowerment renders her a villain. Might this contradiction in the femme fatale’s character reflect tensions in our own evolving understanding of gender? How can the femme fatale character help us untangle the real-world gender problems that modern women and men face?... Read more about Expository Writing 20: The Femme Fatale
This course treats persecution in America as a site of public history and ethics. Focusing on three historical cases—the Salem Witch trials, the Underground Railroad, and Cold War-era McCarthyism—we will explore how hunts for witches, runaway slaves, and communists (along with their fellow travelers) have shaped American political culture.... Read more about Witch Hunts: Persecution in Public History and Ethics