This graduate course links different regions of the Francophone world and provides an introduction to the major debates about gender issues in postcolonial Francophone studies. We focus on the aesthetics and politics of writers who challenge the notion of a stable identity, be it national, racial or sexual. The course draws on the historico-cultural issues pertinent to each region (Africa, the Atlantic, Pacific, and Indian Ocean). Writers include Mariama Bâ (Senegal), Maryse Condé (Guadeloupe/France/USA), Ananda Devi (Mauritius and France), Fatou Diome (Senegal and France), Assia Djebar (Algeria/France/USA), Marie Chauvet (Haiti), Shenaz Patel (Mauritius), and Linda Lê (Vietnam and France). ... Read more about Transnationalism and the Francophone World: Race, Gender, Sexuality
This seminar explores the culture and politics of American imperialism from the late 19th century to the present, with particular attention to race and gender. This writing and discussion-intensive course encourages students to examine how formal and informal imperial relations developed, and to analyze how American empire functioned on the ground for those who imposed it and those who resisted, appropriated, or accommodated it. The course focuses especially on American relations with Asia and Latin America, and topics include immigration, military occupation, gendered and racialized cultural engagement, international adoption, humanitarianism, and international development. Assigned readings bring together scholarship from American Studies, Women’s Studies, Ethnic Studies, Anthropology, and American History.
The explosion of interest in Afrofuturism in the last two decades speaks to an ever more urgent desire to understand how people of color project themselves into narratives of both the future—and the past. Moreover, the work of Afrofuturist intellectuals has been profoundly concerned with matters of gender and sexuality. Indeed, examinations of inter-racial and inter-species “mixing,” alternative family and community structure, and disruptions of gender binaries have been central to Afrofuturist thought. In this course we will examine these ideas both historically and aesthetically, asking how the large interest in Afrofuturism developed from the early part of the twentieth century until now. Focusing primarily on science fiction and fantasy literature, the course will treat a broad range of artists including, W.E.B. DuBois, George Schulyer, Marlon James, Octavia Butler, Andrea Hairston; Nalo Hopkinson; N.K. Jemisin, Nnedi Okorafor, and others.
This course investigates the realities of poverty through an intersectional lens, meaning that we will consider the simultaneous impact of race, gender, sexuality (and other identities) on economic insecurity. In what ways are conversations about poverty and its causes infused with assumptions and stereotypes related to gender, race, and sexuality? We hear so much in the media about what causes poverty – what is reality and what is myth? How do these myths operate to reinforce and sustain economic inequality? Who and what gets left out of the conversation about poverty? Topics in the course include historical understandings of poverty; intergenerational class mobility; depictions of poverty in pop culture; and bringing attention to populations that often get left out of mainstream conversations about poverty.
The course examines the intertwined histories of race, gender, and sexuality in the American South from the end of Reconstruction in 1877 through the present. We will consider how struggles for gender and sexual freedom are linked to race in the modern South. The course proceeds along two tracks: first, we gain knowledge about the lives of women, trans people, and gay people in the South. Second, we consider how African Americans, women, and LGBTQ individuals struggled for freedom and how these efforts changed over time in response to opposition, developments elsewhere in the world, and victories. We will explore the circumstances under which people from different backgrounds come together in pursuit of a common goal and the times when conflicts arise. We will read poetry and novels, manifestos and diaries, and secondary literature written by historians. In addition, we’ll watch videos and listen to music to understand the different ways people queered the South during the last century. The course recognizes that Southerners do not fit neatly into racial, gender, or sexual boxes and so investigates the intersections of identities to lend complexity and verve to the histories of people often forgotten.
With particular emphasis on mid-twentieth century American culture, this seminar will examine complex - and often contradictory - iterations of race and gender in works of literary and visual culture produced by and about African American men. We will explore the work of: Shirely Clarke, Chester Himes, Iceberg Slim, Alice Walker, Melvin Van Peebles, Samuel Delany, James Baldwin, Robert Deane Pharr, Eldridge Cleaver, Amiri Baraka, and more.
Emphasizing the development of (transgressive) discourses of gender and sexuality within communities of color, this course will examine key contemporary texts addressing transgender identity, H.I.V./A.I.D.S., abjection, queer of color critique, reproduction and pornography. We will explore the work of: C. Riley Snorton, Dagmawi Woubshet, Darieck Scott, Sharon Holland, Roderick A. Ferguson, Jose Munoz, Samuel Delany, Jennifer C. Nash, Jasbir Puar, and more.
This course explores histories of women from diverse indigenous nations within the current boundaries of the United States. We will attend closely to methods and sources employed in historical inquiry about Native women even as we track change over time in a range of contexts. We will address multiple themes that intersect in Native women’s experience: tensions between history and myth, concepts of family and intimate relationships, spiritual understandings and notions of tradition, gender roles and cross-cultural gender difference, processes of colonialism, conceptions of land and effects of land dispossession, cultural negotiation and adaptation, public representation and misrepresentation, and personal, familial, and tribal perseverance.
When accepting the Oscar for Best Actress in 2015 Patricia Arquette said the following: “The truth is, right under the surface, there are huge issues that are at play that do affect women, and it’s time for all the women in America and all the men that love women and all the gay people and all the people of color that we all fought for to fight for us now.” This course examines why such statements are part of a larger and longer tradition of disappearing black women and why they are popular in the cultural zeitgeist. Through extensive reading and tough discussion this class examines the current discourse around sexual harassment and assault from the #MeToo movement through the informed lens of Harriet Jacobs’s slave narrative Incidents in the Life of a Slave Girl. Both “texts” involve navigating spaces of subjugation and supremacy and yet one voice has remained steadily ignored in mainstream audiences. We will also look at the intersection of race and gender that Incidents reveals and trace how these remain intact or not through today.
How does being a woman affect our behavior, our evaluations of ourselves, and our interactions with others? This course examines psychological science on women and girls in western industrialized societies, addressing such topics as gender stereotypes, girlhood, women and work, relationships, pregnancy and motherhood, mental health, violence against women, and women in later adulthood. We will consider these topics through an understanding of gender as a social construction, being mindful of the intersections of gender, sexuality, class, and race. Although focused on women’s lives and experiences, this course is highly relevant to people of all genders. ... Read more about Psychology of Women
When accepting the Oscar for Best Actress in 2015 Patricia Arquette said the following: 'The truth is, right under the surface, there are huge issues that are at play that do affect women, and it's time for all the women in America and all the men that love women and all the gay people and all the people of color that we all fought for to fight for us now.' This course examines why such statements are part of a larger and longer tradition of disappearing black women and why they are popular in the cultural zeitgeist.... Read more about Black Women's Voices in the #MeToo Era
A bastardized German, a jargon, a woman's vernacular, an old world language, a dying and ghostly tongue, a Hasidic language, a queer language, a radical language-these are just a few of the ways that Yiddish has been labeled over its one-thousand-year history. This course will trace the shifting politics attached to Yiddish from its early modern beginnings as a language of translation between Jewish and non-Jewish cultures to its postwar vacillation between a language of mourning and nostalgia, Jewish American humor, Hasidic isolation, and contemporary Jewish radicalism.... Read more about The Politics of Yiddish
This seminar explores the culture and politics of American imperialism from the late 19th century to the present, with particular attention to race and gender. This writing and discussion-intensive course encourages students to examine how formal and informal imperial relations developed, and to analyze how American empire functioned on the ground for those who imposed it and those who resisted, appropriated, or accommodated it.... Read more about Race, Gender, and American Empire
In January 2017, the Pussyhat Project created an effective visual unity for the Women's March on Washington, although the pink hats were also criticized as vulgar, trivial and exclusionary. This is not that first time that needlework has played a central (and controversial) role in political protest: Its associations with femininity and family life have been used to underscore contrasts between domestic morality and public policy, as well as to subvert or confirm gendered notions of decorum and citizenship.... Read more about Assertive Stitches: Domestic Arts and Public Conflict
Feminism shapes the world we live in today. Debates about women's and sexual rights define almost every public debate today -- from sexual harassment, to electoral politics, to development, public health, human rights, and political protest. But when, and where, did ideas of women's equal rights and liberation emerge? This course digs into the deep history of feminism from a global perspective.... Read more about Global Feminisms
In a period of contentious politics, Americans are debating fundamental issues about economic wellbeing and social justice. How can the nation expand opportunity and security for workers and families following years of rising socioeconomic inequalities and shifts in the relationship of families to work?... Read more about American Society and Public Policy
What is feminism? What is patriarchy? What and who is a woman? How does gender relate to sexuality, and to class and race? Should housework be waged, should sex be for sale, and should feminists trust the state?... Read more about Feminist Political Thought
While music is often touted as a 'universal language' that generates social harmony, it also expresses dissent from and resistance to the status quo. This course asks how music works as a type of social and political resistance, and what aesthetic and formal qualities enable it to do so.... Read more about Music and Resistance in the Modern United States