Gender identity and expectations; prison reform and the death penalty; personal accountability and protest; new media and modes of expression. Writers in the 19th and 20th centuries grappled with these questions as we do today. How do their sometimes revolutionary, sometimes surprisingly familiar approaches overlap with movements like Romanticism, Realism, Existentialism, and other new forms of fiction? We will explore short works by Sand, Hugo, Balzac, and Zola; poetry by Baudelaire; drama by Camus; a novel by Colette; a graphic novel by Fres; and films by Berri and Tavernier.
Rachel Carson, the author of Silent Spring, and Dolores Huerta, co-founder of the United Farmworkers Union, both campaigned against toxic exposures in the mid-20th-century United States and yet are rarely considered in tandem. This course puts the writings and activism of these two women in conversation, ranging through feminist, queer, and Latinx environmental writing to build connections between environmentalism and labor rights.... Read more about Resisting Toxicity: Rachel Carson, Dolores Huerta, and Environmental Nonfiction
In a powerful essay, the late writer and activist Audre Lorde suggested, “Where the words of women are crying to be heard we must each of us recognize our responsibility to seek those words out, to read them and share them and examine them in their pertinence to our lives.” Lorde is not alone in asking us to pay attention to and take responsibility for women’s stories; for centuries scholars and activists alike have championed the words of women, including women of color and queer women, whose stories have routinely gone untold or unheard.... Read more about Expository Writing 20: Telling Her Story: Narrative, Media, and #MeToo