Classes

    Black Masculinities

    Semester: 

    Spring

    Offered: 

    2019

    With particular emphasis on mid-twentieth century American culture, this seminar will examine complex - and often contradictory - iterations of race and gender in works of literary and visual culture produced by and about African American men.  We will explore the work of: Shirely Clarke, Chester Himes, Iceberg Slim, Alice Walker, Melvin Van Peebles, Samuel Delany, James Baldwin, Robert Deane Pharr, Eldridge Cleaver, Amiri Baraka, and more.

    ... Read more about Black Masculinities

    Black Women's Voices in the #MeToo Era

    Semester: 

    Fall

    Offered: 

    2020

    When accepting the Oscar for Best Actress in 2015 Patricia Arquette said the following: 'The truth is, right under the surface, there are huge issues that are at play that do affect women, and it's time for all the women in America and all the men that love women and all the gay people and all the people of color that we all fought for to fight for us now.' This course examines why such statements are part of a larger and longer tradition of disappearing black women and why they are popular in the cultural zeitgeist.... Read more about Black Women's Voices in the #MeToo Era

    How Sweet is it to be Loved By You: Black Love and the Emotional Politics of Respect

    Semester: 

    Fall

    Offered: 

    2020

    The word 'love' is almost never used in any portrayal or description of the African American community's daily life in contemporary media and in the social sciences. But love, as a human experience, is central to our understanding of what it means to be a vital member of a culture and society and thus respected, nurtured, etc. This seminar examines the love that difference makes.... Read more about How Sweet is it to be Loved By You: Black Love and the Emotional Politics of Respect

    Assertive Stitches: Domestic Arts and Public Conflict

    Semester: 

    Fall

    Offered: 

    2020

    In January 2017, the Pussyhat Project created an effective visual unity for the Women's March on Washington, although the pink hats were also criticized as vulgar, trivial and exclusionary. This is not that first time that needlework has played a central (and controversial) role in political protest: Its associations with femininity and family life have been used to underscore contrasts between domestic morality and public policy, as well as to subvert or confirm gendered notions of decorum and citizenship.... Read more about Assertive Stitches: Domestic Arts and Public Conflict

    The Music of Women Creators

    Semester: 

    Fall

    Offered: 

    2020

    In spite of significant gains in gender equality over the last half century, women creators remain dramatically underrepresented in the music world, in all genres of music and in all categories of musical production: as composers, improvisors, producers, conductors, and even as performers. The course is intended to celebrate and acknowledge the contributions of women creators to the history of music.... Read more about The Music of Women Creators

    Black Womens Voices in the #MeToo Era

    Semester: 

    Spring

    Offered: 

    2021

     

    When accepting the Oscar for Best Actress in 2015 Patricia Arquette said the following: 'The truth is, right under the surface, there are huge issues that are at play that do affect women, and it's time for all the women in America and all the men that love women and all the gay people and all the people of color that we all fought for to fight for us now.... Read more about Black Womens Voices in the #MeToo Era

    Elizabeth Bishop and Others

    Semester: 

    Spring

    Offered: 

    2021

    This course introduces students to the poetry, literary prose, and artful correspondence of one of the major poets of the twentieth century, considering her innovations in all these genres. We will look at her writing in multiple genres alongside the mid-century shift from ‘closed’ to ‘open’ verse forms, and relate stylistic issues to the intellectual and social changes, and political and historical developments of the period.... Read more about Elizabeth Bishop and Others

    Women as Photographers in Weimar Germany and in Exile

    Semester: 

    Spring

    Offered: 

    2021

    An extraordinary number of women trained to become photographers in Weimar Germany (1919-1933). Their presence and practices dramatically altered the conditions of visual culture in a country that had never achieved the levels of French modernism, for example, neither in terms of its aesthetic complexity nor in terms of its contributions to nation state identity.... Read more about Women as Photographers in Weimar Germany and in Exile

    Sounding Identity

    Semester: 

    Spring

    Offered: 

    2021

    This interdisciplinary seminar addresses multiple histories of politics and aesthetics within the context of sound and music technologies as mediators of intersectional identity. Creative practice will serve as a method of critical inquiry into race, class, dis/ability, gender identity, and sexual orientation in concert, recordings, and other outputs.... Read more about Sounding Identity