When accepting the Oscar for Best Actress in 2015 Patricia Arquette said the following: 'The truth is, right under the surface, there are huge issues that are at play that do affect women, and it's time for all the women in America and all the men that love women and all the gay people and all the people of color that we all fought for to fight for us now.... Read more about Black Womens Voices in the #MeToo Era
This course introduces students to the poetry, literary prose, and artful correspondence of one of the major poets of the twentieth century, considering her innovations in all these genres. We will look at her writing in multiple genres alongside the mid-century shift from ‘closed’ to ‘open’ verse forms, and relate stylistic issues to the intellectual and social changes, and political and historical developments of the period.... Read more about Elizabeth Bishop and Others
Women have historically exerted their voice and power through writing, even as the professional writing trades of journalism and publishing have historically been unwelcoming of their presence. This seminar class will examine reporting and writing by and about women, and engage students in the practice of writing about gender, feminism, and women’s lives.... Read more about Writing Women: Workshop
Are quilts the great American (folk) art? From intricately stitched whole-cloth quilts, to the improvisational patchworks of Gee's Bend; from the graphic simplicity of Amish quilts to the cozy pastels of depression-era quilts; from the Aids Quilt to art quilts; quilts have taken on extraordinary significance in American culture.... Read more about Quilts and Quiltmaking
An extraordinary number of women trained to become photographers in Weimar Germany (1919-1933). Their presence and practices dramatically altered the conditions of visual culture in a country that had never achieved the levels of French modernism, for example, neither in terms of its aesthetic complexity nor in terms of its contributions to nation state identity.... Read more about Women as Photographers in Weimar Germany and in Exile
This interdisciplinary seminar addresses multiple histories of politics and aesthetics within the context of sound and music technologies as mediators of intersectional identity. Creative practice will serve as a method of critical inquiry into race, class, dis/ability, gender identity, and sexual orientation in concert, recordings, and other outputs.... Read more about Sounding Identity
A survey of modern and contemporary queer writing from twentieth- and twenty-first-century French literature. We will read writers such as Jean Genet, Hervé Guibert, Édouard Louis, Mireille Best, Violette Leduc, Monique Wittig, Anne Garréta.... Read more about Queer Fictions
This seminar looks at the expanding range of genres, forms and strategies pursued by modern and contemporary authors who want to represent LGBTQ+- lives, communities, bodies and selves; poems and performances, novels and stories, YA (young adult) fiction and science fiction, memoirs and graphic novels, will all be represented, along with a light frame of what's usually called queer theory and some points of comparison, or contrast, from earlier centuries. Bechdel, Audre Lorde, O'Hara, Whitman, Walden, and many others.... Read more about Introduction to LGBTQ Literature
The material of this course consists of the following exceptionally rich late medieval and early modern Trojan materials: Chaucer’s House of Fame; Chaucer’s Troilus and Criseyde; Lydgate’s Troy Book (Book 2); Henryson’s Testament of Cresseid; and Shakespeare’s Troilus and Cressida. We will be guided into these materials by the inter-related topics listed in the course title. Wherever possible and appropriate, we will absorb the publication conditions and media of these texts and/or performances.... Read more about Gender, War, Writing, Rhetoric, and Reading: Troilus and Criseyde from Late Medieval to Early Modern
This course examines works across a range of genres by Asian-American writers, focusing on the intersection of race, gender formation, and sexuality. We will put conceptions of feminism, queerness, and LGBT identity in conversation with ideas about ethnicity, citizenship, power, activism, art, and politics.... Read more about Gender and Sexuality in Asian-American Writing and Film
This is a workshop class where students will learn the art of literary longform journalism and compose stories that take on questions of gender, feminism, sexuality and power, while simultaneously exploring how the media represents gender and learning the history of women in journalism. No profession has been as important to feminists in challenging society than journalism--even as journalism has been historically resistant to a...
A survey of modern and contemporary twentieth- and twenty-first-century queer French literature. We will begin first with an introduction to some canonical texts in queer theory (e.g. Sedgwick, Butler, Bersani, Warner) and proceed to the fictions (Genet, Guibert, Louis, Leduc, Wittig, Best, Garréta) to see the ways in which literature itself theorizes and does the work of deconstructing identity and desire.
This course seeks to map a history and to expand the boundaries of what is commonly thought of as queer cinema. We will explore LGBTQ films within a variety of frameworks, including but not limited to queer history, theory, and politics, and across a range of modes and genres, from classical Hollywood to the experimental underground.... Read more about Queer (and Queering) Cinema
Close readings of postwar French fiction and theory with emphasis on what is called "the feminine'' in key psychoanalytic, philosophical, and literary writings of the French poststructuralist tradition. In particular, we will focus on fifty years of dialogue between postwar theory in France and feminist practice in the United States. Writers considered include Cixous, Duras, Irigaray, Kristeva, and Wittig as well as Deleuze, Derrida, and Lacan....
“Reader, I married him.” As this famous line from Charlotte Brontë’s Jane Eyre reminds us, writers have long been preoccupied with matters of the heart. Courtship plots are everywhere, from the novels of Jane Austen to the “rom-coms” of the 1980s and 1990s to essays you can find every Sunday in the “Styles” section of the New York Times. For centuries, marriage was primarily an economic relationship, and love outside of marriage ended in humiliation or even death. But what happens when society expands the options for living and loving?... Read more about Expository Writing 20: Modern Love
The femme fatale—the attractive, seductive woman who brings about the downfall of men—has fascinated us through the ages, from Biblical figures like Eve and Delilah, to historical women such as Cleopatra and Wallis Simpson, to the media personas of modern pop stars like Cardi B and Miley Cyrus. In the classic femme fatale narrative, the woman’s dangerous actions empower her, but she also must submit to the fact that her empowerment renders her a villain. Might this contradiction in the femme fatale’s character reflect tensions in our own evolving understanding of gender? How can the femme fatale character help us untangle the real-world gender problems that modern women and men face?... Read more about Expository Writing 20: The Femme Fatale
Rosalind, Portia, Ophelia, Juliet, Isabella, Cressida, Cleopatra, Cordelia, Imogen, Volumnia, Miranda, Lady Macbeth—the women of Shakespeare’s plays have become iconic figures, cited, admired, critiqued, and invoked in every generation. But in the English public theater of Shakespeare’s time no women were permitted to appear onstage.... Read more about Shakespeare's Women
What are the virtuous capacities of mass-delivery information technologies? How do they help the world become a better place? Do they present potential threats to individuals and the societies in which they live? Through select theoretical work in sociology, we will reflect upon those questions and apply that knowledge to the world we know.... Read more about Media and Society