This course revolves around the short, creative life of Mexican artist Frida Kahlo, one of the most prominent figures in art history, as a window to the cultural and political revolution that shaped Mexico's identity in the twentieth century and continues to influence Latinos today. Through Frida's life and artwork, we see how two international influences in Mexico's cultural and political life—Soviet politics and French surrealism—merged with national agendas that sought to redefine Mexico's identity through the integration of their indigenous heritage. The result was a time of booming creativity in the arts, radical expansion of educational and political agendas, as well as a redefinition of women's identity, sexuality, and the Mexican family. We trace her romantic and artistic relationship with Diego Rivera and explore her impact on the intensely creative social circle that included composer Carlos Chávez, photographers Lola Álvarez Bravo and Manual Álvarez Bravo as well as Tina Modotiti. Finally, the course includes a visit to the Fogg Museum for local students to see some of the Mexican muralist art work on display, and also a visit to the Museum of Fine Arts to see the painting by Frida Kahlo, Dos mujeres. (Salvadora y Herminia).
How does being a woman affect our behavior, our evaluations of ourselves, and our interactions with others? This course examines psychological science on women and girls in western industrialized societies, addressing such topics as gender stereotypes, girlhood, women and work, relationships, pregnancy and motherhood, mental health, violence against women, and women in later adulthood. We will consider these topics through an understanding of gender as a social construction, being mindful of the intersections of gender, sexuality, class, and race. Although focused on women’s lives and experiences, this course is highly relevant to people of all genders.... Read more about Race, Gender, and Sexuality in American Popular Music
With particular emphasis on mid-twentieth century American culture, this seminar will examine complex - and often contradictory - iterations of race and gender in works of literary and visual culture produced by and about African American men. We will explore the work of: Shirely Clarke, Chester Himes, Iceberg Slim, Alice Walker, Melvin Van Peebles, Samuel Delany, James Baldwin, Robert Deane Pharr, Eldridge Cleaver, Amiri Baraka, and more.
We are bombarded by sound bites from all over the globe, moving at disorienting speeds, reorganizing our relationship to time and space with increasingly dystopic results. This course will focus on selected televisual and digital events in "real time" from September-December 2019. We will analyze the embedded bits of gender and sexuality always at work in the representations of those events. Topics include: politics, the environment, military adventures, and popular revolt in dialogue with important texts in WGS Studies.